THE DRAGON AND THE KNIGHT: WHOM SHALL YOU SERVE?

Some of my ramblings below as a result of turning on my tablet on the Google Search page with the following image on St. George’s Day, 23rd of April

St George's Day - 23rd April

St George’s Day – 23rd April

There is something wonderfully poignant, emblematic and foreboding in that image. It just struck me as I look at it more and more, how it reveals itself as a metaphor of Richard Armitage’s journey as an actor, indeed of the very journey we all humans embark on from the moment we are born: now the villain, then the hero; now the dragon, then the knight; now the psychopath, then the pilgrim; a life driven by the powers of hell as a result of the mental turmoil and deep scarring of wounds past or bad choices made by others, but then a holy journey of redemption or pilgrimage inspired and driven by nobility, honour and faith. And so our life goes on as Good and Evil rage within our soul in a fierce battle which never ends until one or the other is victorious, commands our spirit and claims our destiny.

I get the attraction, the appeal of wanting to be an actor. One gets to experience and live through all the things which we may be too scared or perhaps too sensible to not engage with in real life. Acting gives one the opportunity to love too much or love too little; to let our heart feel with abandon until it wants to explode but without really surrendering any part of ourselves in the process; to risk too much without risking anything; to find out what the consequences of a bad choice are without really paying the price; to choose evil instead of good without really entering into hell; to gain honour, fame and a place in history without really sacrificing every single thing that is dear to you in order to get there and claim your prize. That image of St George and the dragon is foreboding because in life many of us like to behave like actors and serve two masters, but the truth is nobody can live like that without paying the price. We can pretend this world is a stage and that we are all actors on it, but eventually we must all make the choice of whom shall we serve, whom shall we follow: the dragon or the knight?

MY DOUBLE-EDGED SWORD

MY DOUBLE-EDGED SWORD

Being passionate is a double-edged sword

It is a formidable and invaluable weapon if we wish to finish the race

Of pursuing those dreams that burn up inside us

The quests that drives us

In our feeble attempts to leave a better world behind us

But this sword of fire that burns within,

Like the human soul tormented by sin

Rages a ruthless war where for every great battle won

The permanent taste of hurting another renders victories numb.

For she who wants much, will risk much

And it is that same zeal that leads one to triumph

Which all too often also causes irreparable injury and denial.

Being passionate is a blessing as it is a curse

It feeds the fuel that sustains the warrior on his crusade

But in overdose it becomes the poison

That eats up at your better judgement

And alienates you from the dearest of friends

FEEDING ON THE VERY EVILS WE CLAIM TO HATE IS LIKE TRYING TO CURE A CANCER WHILST WE GO ON SMOKING – Part 3

You have probably guessed by now that my two previous posts were referring to Richard Armitage’s recent choice of role in the third Season of the TV Series  Hannibal directed by Bryan Fuller, which is, it seems, extremely popular in the United States. Please believe me when I say that I have never before opposed something without actually having experienced it first, apart from the obvious pits such as drugs, binge drinking, promiscuity to name but a few. It is with great reluctance and much apprehension that I embark on this seemingly unjustified rant, as I have nothing but sheer admiration for Richard Armitage the actor but more so the person, but try as I may, I cannot bring myself to watch anything related to this series, beyond trailers, short YouTube videos of the two previous seasons, scenes from the film Red Dragon, or to read sections of the book it is based on by the same title written by Thomas Harris.

Let me put my reluctance into context. When I first started researching on this, the first thing that came up was a video which described Hannibal, the TV series,  as “Disturbingly Delicious”: disturbing referring to the stark, vivid,  shocking imagery related to the crimes committed by some of the characters, and delicious because there is this kind of generally accepted vibe going on in social media amongst many supporters of this series, including its producers, that murderers who torture, mutilate & eat their victims, is  fair game as the subject of laughter and banter. If you don’t believe me or think  I exaggerate, look no further than on #Hannibal, the twitter feed of the program, or google reviews such as this one which says, I quote,  “See, the trick is to hide all your gore and carnage within a pristine baroque palate of gorgeousness. And then make people want to vomit.”

http://uk.ign.com/articles/2014/06/05/hannibal-8-12-extremely-disturbing-moments

Personally, I think that although the Horror Genre is not for me, it is valid and an art form in its own right, and I appreciate that some enjoy it as a way of escapism; can’t quite bring myself to describe it as entertainment. Maybe if as a society we begin to ask ourselves the tough questions such as why do we live in a world where people get such a kick out of watching the most violent of murders and even cannibalism, we will begin to be able to tackle the problem of violence, suicide and even terrorism.

Nevertheless, with each new Horror program that is produced, the boundaries of what is acceptable as an art form seem to be pushed further and further with a complete disregard for the effect some of these programs and the hype they create may have on those watching who are mentally unstable, incapable of discernment, the young and easily impressionable, etc. We all put our hands to our head when we watch the news of yet again another savage murder, killing spree at the hands of a person/persons who on the outside seemed like a “normal” balanced individual. I am by no means blaming these type of programs for a murderer’s actions, clearly, but many agree on the effect that violent graphics and behaviour in video games have on young and/or vulnerable individuals, so how is a TV program centered on such horrific violence any different?; why is it exempt of any responsibility? It is no good hiding behind the argument of the program being certified 18. We all know many youngsters and even parents do not pay any attention to these restrictions or guidelines, so let’s not pass on the bucket of responsibility. We all must do our bit, surely! What hope is there for aiming to become a balanced and healthy society, if we all happily shift the blame on someone, something else; if we turn a blind eye on what is so obviously detrimental to a healthy society? The blind leading the blind springs to mind (no pun intended with regards to the relationship between the characters of Francis Dolarhyde and Riba, the blind woman, though now that I mention it….maybe topic for another blogpost though highly unlikely)

There has been much talk recently in the news about the responsibility of sports men and women who many children, teenagers and even adults see as role models. Whether we like it or not, we live in a world where individuals are becoming increasingly isolated as we spend a large amount of our time on social media, on the internet, or simply away from other people. The sense of unity, support and oneness which make for healthy, strong communities is ebbing away, and so as people, we are becoming isolated islands in a big, dark scary ocean instead of many cities or states which are quite diverse but joined together under one continent or country. We are therefore plodding along alone and often frightened, because we no longer have that support network or sense of being anchored safely by our emotional and physical bond to others. As a result, the most vulnerable, the most naïve can’t help but look up to the so-called “role models” in our society and be guided by their actions, attitudes and behaviour. If the pillars of our society, the movers & the shakers, and particularly those who regulate and are at the height of the entertainment industry have no scruples in putting together or allowing a program which homes in on evil of demonic proportions, can we trust our youngsters, the mentally ill, the mentally vulnerable to apply censorship filters to something which potentially may trigger violent behaviour in them? I don’t think so. Violence breeds violence. I think most of us can agree on that.

But if that wasn’t enough deterrent for responsible talented adults from jumping on the ever increasingly popular and widely accepted money-making wagon of Horror movies and Horror TV series, let’s then focus on the issue of making violence appear sexy or appealing. I cannot begin to tell you the number of tweets I have recently read of people who admit to actually “falling in love”, admiring and even feeling sorry for some of the characters, mainly the psychopaths at whose hands the most violent and horrific of acts take place. Many speak of these characters with utter admiration based on how highly intelligent, charismatic and even endearing some of them are. For the morally discerning and mentally balanced person it is easy to draw the line between fiction and reality, to tell the innocent from the guilty and  the victim from the psychopath, but what happens when a person who is not mentally healthy or who is not mature enough finds it impossible to draw a clear line between these polarized principles which are so obvious to the rest of us? With such charismatic and highly intelligent characters who are able to draw in, during the Hannibal series, even those who are supposedly in authority and responsible for bringing the killers to justice, how can we expect a vulnerable impressionable individual to not elevate these characters to role model status even to deity status? It happens. We often witness on the news loners/bullish gangs who go on a rampage in the name of this, that or the other, completely losing perspective on the boundaries of what is right and what is wrong, of the very blurry line that sometimes  lies between the circumstances that define someone as the victim or the perpetrator.

Richard’s recent casting together with the recent introduction to the upcoming 3rd season of actor Zach Quinto has launched an avalanche of excitement round the Twittersphere centered along the fact that since these two actors are so “hot” and “sexy”, Hannibal must now make for compulsory wiewing. Richard Armitage himself said during an old interview about the issue of violence in “The Hobbit” films: “Peter Jackson always had this debate with his design team and the actors that you can’t undersell violence. It needs to be as shocking and violent as it really is, but you can’t glorify it or make it look sexy or appealing”.

I am pretty certain Richard is going to find it absolutely impossible to not play to the millions of fans’ expectations who are eagerly waiting to see a “sexy” Francis Dolarhyde do his thing. The eroticism in the #Hannibal series and the film ” Red Dragon” where Ralph Fiennes played the character of Francis Dolarhyde is undeniable and no doubt part of its wide appeal. I have nothing against that. It clearly has its place when done carefully, tastefully and responsibly, but when you mix eroticism with extreme violence and the characters playing both are ranking in the top places of magazine’s sexiest men lists, we have a serious problem. So much for not making violence look sexy or appealing. I know this would never be Richard’s intention in accepting that part, far from it, but how can it be helped? When you read fan’s tweets, this is exactly what is pulling in most of the viewers who are expectantly waiting for the 3rd Hannibal Season to be aired. I just think Richard is far superior, classy and better than all that. But I am just a fan, right? So who am I to have my say? Well, seeing as I have already had a fair share of abuse, aggression and disrespect on my twitter account from Hannibal fans (which ironically only serves to confirm and validate the points I share here), I feel it is necessary at this point to point out the obvious: THIS IS MY OWN PERSONAL OPINION WHICH I TRUST I AM ENTITLED TO, AS I BELIEVE I STILL LIVE IN A DEMOCRATIC SOCIETY WHETHER FREEDOM OF SPEECH IS HIGHLY REVERED AND RESPECTED (#JeSuisCharlie,  for those who have already forgotten). At no point have I been rude or disrespectful to the person of Richard Armitage, whom by the way I admire and care for greatly. I hope that this transpires from my two previous posts on this subject.

I leave you now with some extracts from the very many reviews I have read on the Hannibal Series. You can make up your own mind, just as I have! In an ideal world, I would have preferred to reserve my judgement until the series is broadcast and I get to see for myself whether I am talking nonsense or not, but I just cannot bring myself to watch it, though I have really tried. Whatever the outcome, there are two things I already know for sure: the first one is that Richard will give his absolute best and all in that role and will do it for artistic purposes and as a personal and professional challenge. The second thing is that his character will be oozing sex appeal as will others’, and inevitably sex-appeal and violence will be married together by the least discerning as a valid and appealing trait/behaviour which one can emulate and even look up to. The rest is history, and as it is often the case, we will look back at history and learn the lessons we couldn’t learn whilst they were staring us right in the face.

The last thing television needs is more serial killer dramas. (emphasis is mine) But when they’re this well made, this smart and creative and unexpectedly funny? Then, yes, more “Hannibal,” please.” More from http://www.hitfix.com/whats-alan-watching/review-nbcs-hannibal-serves-up-delicious-second-season-course

“In the end, this show is not about cops and killers or even reality and dreams. It’s about how art affects the mind and body. It explicitly likens its subsidiary serial killers to striving artists (emphasis is mine) struggling to perfect their style and be noticed by the public and appreciated by critics (the FBI). The killers work in mixed media: wood, steel, soil, plants, flesh, bones, teeth. When Will describes an especially elaborate murder scene as “a canvas made of bodies,” in which “each body is a brush stroke,” he’s describing Hannibal itself.” Read more from http://www.vulture.com/2014/02/tv-review-hannibal-season-2.html

“Even with all the vomit-inducing states of death it presents, the most unappetizing part of “Hannibal” is its lack of humor. Viewers need a break from all that darkness, and there’s very little to laugh at except the gastronomic episode titles, which include “Aperitif” and “Amuse-Bouche.” In seriously exploring what drives people to kill, “Hannibal” serves up a meal too heavy to enjoy each week.” http://articles.redeyechicago.com/2013-04-03/entertainment/38255785_1_hannibal-lecter-graham-bryan-fuller

 

 

 

“When you fight pornography you fight global capitalism” “Fifty Shades of Grey” – “American Sniper” – “Pornography” Robert Jensen writes; “is what the end of the world looks like.”

anewcreation:

I think this blogpost relates somewhat to the topic I am currently writing about, and I definitely feel it is of the utmost importance we pay close attention to its message for there is so much at stake.

Originally posted on Fahrenheit 451 Used Books:

nwoenemy

BOSTON—“Fifty Shades of Grey,” the book and the movie, is a celebration of the sadism that dominates nearly every aspect of American culture and lies at the core of pornography and global capitalism. It glorifies our dehumanization of women. It champions a world devoid of compassion, empathy and love. It eroticizes hypermasculine power that carries out the abuse, degradation, humiliation and torture of women whose personalities have been removed, whose only desire is to debase themselves in the service of male lust. The film, like “American Sniper,” unquestioningly accepts a predatory world where the weak and the vulnerable are objects to exploit while the powerful are narcissistic and violent demigods. It blesses this capitalist hell as natural and good.

“Pornography,” Robert Jensen writes, “is what the end of the world looks like.”

We are blinded by self-destructive fantasy. An array of amusements and spectacles, including TV “reality” shows, huge sporting…

View original 2,097 more words

FEEDING ON THE VERY EVILS WE CLAIM TO HATE IS LIKE TRYING TO CURE A CANCER WHILST WE GO ON SMOKING – Part 2

PART 2

Just as I am finding it extremely hard to make any sense out of what I am about to share here, I am also struggling to put it into words, to get my thoughts together so that I can put my points across in the fairest, most respectful and sensitive manner. It is a real challenge though to pass on information to someone else when one’s head cannot get around the inherent contradiction, the bi-polarity, the paradox and even the impossibility of the truths contained in that information, so please bear with me.

As I wrote to Richard on a recent tweet (though I think it is safe to say that with 106K+ followers, he probably receives an average of say, 1K messages on his inbox per day and that’s just from Twitter, so the chances of him ever reading my ramblings are pretty much non-existent. Having said that though, if I want to say something which I deeply care about to a person I also deeply care about, I like to say it to the person and not to someone else about that person. So with that in mind, I recently told Richard on a tweet that I admire and respect him hugely and that my rants do not seek confrontation or antagonism for the sake of it, but simply reflection In an ideal world, it would be wonderful to have the chance to hear his feedback, not personally to me but to those fans and supporters out there who may be as puzzled and wondering the same things as I am right now.

Here it goes. Picture this: the same super talented actor who gave us a heart-wrenching, soul-searching, spell-binding rendition of John Proctor in The Crucible; the same inspiring, purposeful and inspired human being who being interviewed about what he hoped people would take away with them on having seen his performance and the play, said: “I hope our audience leave with a sense of purpose, duty and responsibility”, and who in answer to “What is the most important thing that playing Proctor has taught you?”, said “That truth may be hidden, buried, warped and discarded, but man becomes closer to “His God” when he fights for that truth, even at the cost of his own life. The courage to die for the truth”; the same man who in answer to “What aspects of society/culture do you think The Crucible best speaks to today?” said: “It speaks of prejudice and persecution and any society which has permitted its government to legislate in favour of such denial of human rights, be it race, gender, religion, sexual preference and political orientation”, and still the same man who when asked “What do you hope the audience will be left contemplating after the performance?” answered with these wonderfully inspiring words: “I hope our audience leave with a sense of purpose, duty and responsibility… That they are at one with their mortality and that they believe in love.” Wow, I have goose-bumps all over even now. To hear an individual of his current popularity with the platform and the following he enjoys, speak in those terms, with such clarity, courage and determination, is for me almost as powerful and ground-breaking as watching Martin Luther King deliver his “I have a dream..” speech. It’s a breath of much needed fresh air in a world ruled by Mammon, greed, the obsession and glorification of evil, violence and a sense of entitlement to immediate gratification for everything, in every circumstance, even when we don’t deserve any.

When I read those words for the first time I was set alight; my own ongoing search for truth, not just spiritual but for all aspects of our existence, was rekindled instantly with an incredible might. I thought at the time: “that’s exactly the clarity of thought and purpose I want to have in my own life, in my own journey. This guy is on a quest, a worthy quest; he is onto something. He has great leadership qualities which are clearly manifested in the roles he likes to play and in the fact that he is often drawn to those roles. There is a heroic quality about him, a courage, a boldness. He knows where he is going and how to best get there. I’m in for the long haul, I thought.

Many people go about life totally clueless, surviving from one day to the next, purposeless, enjoying life’s pleasures and the good turns life throws at them, but not really preparing for the bad ones or even having an ounce of consciousness about the fact that whether we like it or not, we all carry a responsibility in how we live and of what we do with our time, our gifts and our resources. If not for anyone else, we owe it to ourselves to honour the life we’ve been given and to try to develop our potential to its maximum, try to do something meaningful with how little or how much we may have. I want my life to mean something, to leave something beautiful and good behind. I want the immediate world that I engaged with whilst alive to be a better place when I’m gone, because I was there and did something to better it. I don’t see much point in living otherwise, quite frankly.

Here is an actor whose journey does not appear to be dictated or ruled by what sells, what provides fame and fortune, what brings popularity and the magic formula to limitless open doors that lead to where one wants to go, whatever that may be. We all have to make a living, but in my opinion it has always transpired that for Richard Armitage his freedom when it comes to choosing a role is not coerced by the potential to become wealthy or by sacrificing, supressing what is in his heart, in his dreams in order to comply with the accepted trends and unending pressures within the Entertainment Industry.

During The Crucible he often spoke of being drawn powerfully to the role of John Proctor because it offered a first-hand experience of an “Ascend of the Soul”, of living, if only for an instant, what it’s like to have the courage and honesty to rise to the best one can be when everything and everyone is against us and puts us in a corner, where we either succumb to their wishes or we die battling for the truth.

Richard has said in the past that choosing a particular role stemmed from his passion for the written word, not any written word but a particular piece of literature, a beautiful piece of literature, one that when you are exposed to its power, it helps you fly to heights which you never knew existed; it allows you to feel lofty, honourable, wonderful emotions you never thought worthy or capable of feeling, it takes you to a dimension we rarely break into in our daily grind, whatever that may be for different people, but that beautifully written word, just as the two sides of a coin, also has the potential to take you to depths and crevasses you suspect exist but will always go out of your way to avoid, even if in your gut, you know life has a habit of throwing us one or two curve balls along the way, so you’d better face them at least in your mind, if nowhere else, so that you are somehow prepared for what may hit you as you journey on.

So summing up, here we have an actor who shows great resolve, composure and intelligence when choosing his roles and also shows that it is he who is in control of his career’s trajectory and not the industry which dictates where to next get the big bucks from or what to do in order to get that elusive role which is coveted by all the best known actors and for which many will do almost anything. Here we have a man who clearly sees acting as not only the ability to entertain others, but also as artistry and as such he always seems to carefully search for that next role which will challenge him that extra notch to what he previously did; an actor who does not shy away from new mammoth challenging roles where he has to abandon the land of the living, if only for a while, in order to get into character and truly get into its “skin”, to the point where it is no longer the actor we see in the character, but the character becomes an entity in its own right, it acquires life of its own, and the capacity to live in our minds and hearts indefinitely.

How far in that quest for challenging oneself however, how deep into those unknown crevasses of the human soul is anyone prepared to go to prove their worth and capabilities as an actor, before the line between what is fiction and what is reality becomes blurry or even non-existent? And more worryingly, what if some of those watching do not have the maturity, experience, support network, discernment and mental balance and strength to not let certain topics, visual images and scenes get so deep into their psyche that what was meant as entertainment slowly but surely develops into a time bomb of potential crime and violence? How far does one need to go to prove his worth to himself first and foremost and then the world before the “ascend or descend of the soul” is no longer the primary focus, purpose or message in that portrayal; where it is no longer the “what” that matters in a film or TV program but the “how”, where it becomes primarily about the entertainment and shock value and very little about the exploration, interpretation and study of a literary character or the human psyche, heart, soul and spirit, about the lessons we can draw and learn from from a particular film or play? After all, isn’t what we see on a stage and on the screen designed to take us to familiar but also unknown places, to makes us feel exhilarating and powerful emotions, to transport us from our reality into the world of our “what ifs”? Where do we draw the line between entertainment and feeding our extremely real and potentially very dangerous obsession with Evil and how Evil can take over a person’s heart, soul and spirit and turn them into monsters? Why explore with such audacity, perseverance and intensity a genre that homes in on EVIL, when all one has to do is turn on the News to get more than a handful of horror, barbarism and savagery?

To be concluded in Part 3

FEEDING ON THE VERY EVILS WE CLAIM TO HATE IS LIKE TRYING TO CURE A CANCER WHILST WE GO ON SMOKING

PART 1

For those who read my blog regularly, you may recall some of the words I wrote on my post before last: “The Crucible, as recently rendered at The Old Vic Theatre in London, has released an unstoppable force spiritually, something which challenges the status quo and the complacency of a human race which right now sits pretty for the most part and in denial as the most abominable of evils, perils and injustices are happening all around us.”

In these last few months I have been basking in the glory and sheer joy I was engulfed by after seeing that play. I have been letting its message and unstoppable force get right through my bone and marrow, nourishing my soul in order to build up the courage to become another “John Proctor”, a light in that darkness which daily threatens civilisation with swallowing us all up. The Sleeping Giant was indeed awoken within me and as far as I was concerned, no one and nothing was going to put it to sleep again. My passion and zeal for truth, freedom and light have always been there, but lay dormant, anesthetized by the immediacy of obligations, responsibilities and daily worries. Try as I may, nothing and no one could wake me up from my slumber, my complacency and the all too accepted attitude of: “there are people out there who will do this much better than me, so why bother?. Let them take up the mantle of freedom, justice, compassion and truth. Let them put their all on the line. Nothing, no one could wake me up from my slumber, EXCEPT “The Crucible” and Richard Armitage’s portrayal of John Proctor.

Whether you are a spiritual person or not, whether you believe there is a God or not, hopefully you will relate in some measure to this statement: An epiphany took place that day at the Old Vic Theatre. My moral and social conscience went in asleep but it came out awake. My heart and soul were tepid for issues which make our society hang in the balance and which outcome may mean society is indeed hanging by a very fine and vulnerable thread. My heart and soul were lukewarm with regards to our world and humanity, but they were blazing like fire as I walked out of the theatre door. Even now, as I write this, tears fill my eyes. It was such a great feeling, so liberating, so empowering. It was crystal clear; every bone in my body felt that I had rightly followed prompts coming from an unknown dimension to be in that place, on that day, at that time. The jigsaw was finally complete. A sense of perfect fulfilment overcame me as I left the theatre that night.

It has now been 5 months since I first saw The Crucible, and so much has happened since then. There have been so many news items which directly relate to the issues touched on by the characters and the plot of this play. Over this period of time, I have been following Richard Armitage closely, too closely many will say (myself included), but I have grown incredibly fond of this man who not only is a great actor with amazing potential, but also comes across as a well-rounded super smart human being who has in abundance all the qualities which I hope to one day display effortlessly and naturally. I feel very akin to him. From what he has said on numerous interviews and on social media, he seems to be one of those people that when you peel off all the layers and go real deep, there is a solid, stoic foundation, a force that drives him, a purpose and nothing, no one will deter him from it. I may be talking absolute nonsense, but the fact that he has managed to pile up 103K followers on Twitter since he joined in August, and the rate it is going up at, 1000 per day right now, tells me there is something about this individual which draws people to him. Yeah, I know: “Well, of course there is”, you say, “he is the hottest thing around since….since…well…err… the hottest thing around!” Of course I agree, but looks fade and unless there is some underlying substance, no one is going to get very far on just sex appeal, not even him.

Besides the obvious physical and charismatic appeal that Richard has, there is something very earthy, very tangible, an authenticity, an assertiveness and an organic Goodness about him which makes thousands of us wait by “his side”, stick around, as he gives off the feeling that any day, any moment now he is going to do something utterly memorable, catalytic, life-altering, world-shaping, history-making . He carries this magnetic aura about him and it is impossible not to notice it. Ironically, for me it is not Richard Armitage playing Thorin Oakenshield or John Proctor and immersing himself in these characters, but it is the characters who breathe their first breath, owe their life and grow thanks to the qualities inherent in Richard and not the other way around.

When interviewed in the summer having finished the play, Richard said that in a way, John Proctor, has always been a part of him, has always been in him. I agree and I would add that he still is. I think that regardless of how good an actor you are, you can’t just finish the run of a play or a film, and shake off the character that in this case you have immersed yourself in, heart and soul, for quite a while, just as it is humanly impossible to shake off a person who has been an intricate part of your life for a considerable amount of time, whether you part in good terms or bad, they are a chapter in your life and you will inevitably carry them with you for the rest of your days; the experiences you shared will shape your experiences in the future and HOPEFULLY, the lessons you learnt whilst sharing your life with that person/character will also shape the life you lead from there on, the message that your life, your journey and your trajectory give off to the rest of the on looking, expectant world, a world so hungry for goodness, mercy, redemption, freedom, equality, light……for LOVE, right? WRONG!

To be continued in Part 2

Light brings life even to that which is sentenced to die

In the darkness

In the darkness

In the Light

In the Light

 

What a difference it makes when we see things in the light.

Where there is light, there is fire;

a fire that is capable of bringing life

even to that which is already sentenced to die.

Where there is light, there is beauty

Where there is light, there is hope,

for what spoke of death in the darkness,

in the light speaks of new beginnings, new chances

and a promise of renewal.

What spoke of inevitable death when in darkness,

in the light it speaks of what really counts:

it is not that we die,

for we all die, and we know that with certainty

but what counts is HOW we die,

whether glowing as a result of a fire still burning within

that nothing nor anyone can put out

or immersed in a permanent darkness that renders us dead,

even when we thought we lived.

Nature was not given to us just to delight us

but to guide us in how to live

so that our fire does not gradually diminish as we approach death,

but so that we become all the brighter, all the more glorious,

because maybe, just maybe,

even though we are convinced that death is the end,

What if it is just a new beginning?

Is it possible that nature has the knowledge of something that has escaped us?

It wouldn’t be the first time.

It shan’t be the last!

Same tree seen from the entrance hall at my house
Same tree seen from the entrance hall at my house